U.s. Gangs And The Gangs - 1317 Words

Drug routes are associated and may have originated with U.S. gangs in an effort for drug cartels to amp up and focus on their production, leaving the logistics to the gangs. The drug cartels have chosen to align with U.S. gangs based on similar philosophies of honor, allegiance, and loyalty combined with similar business practices and levels of hierarchy. The largest U.S. gangs are structured similarly to giant corporations that succeed with levels of management teams with the ultimate goal of profit, U.S. gangs are no different as they often legitimize themselves as profitable business. Asian gangs are common in California and on the east coast but locating scholarly articles about their operations is a daunting task that required a personal interview with a former gang member. The diverse ethnic and cultural population movement into the U.S. has made it a melting pot for people searching for a better life. Many of these individuals find a life of peace, serenity, growth, and st able work while others swing the opposite direction leading a life of rebellion, crime, and drug use or trafficking. S.H. Decker et al. (2009) suggest this theory is accurate claiming that â€Å"immigration, ethnicity, and culture matter insofar as fear, mistrust, threat, and conflict are present in the areas where ethnic groups are arriving†¦and are breeding grounds for gang formation† (p. 395). America has a reputation for being the land of opportunities and while that may be true, it seems thatShow MoreRelatedEssay on Gang Reduction Program1407 Words   |  6 Pageswith a large amount and growing number of youth gangs the Office of Juvenile Justice and Delinquency Prevention (OJJDP), a branch of the U.S. Department of Justice, initiated the Gang Reduction Program (GRP) (U.S. Department of Justice 2008). The formation of gangs is seen as a response to system failures and community dysfunction. As a result, one of OJJPD’s anti-gang initiatives is to make commu nities safer and have a pro-social environment (U.S. Department of Justice 2008). Furthermore, OJJDPRead MoreInfluence Of Gangs On Theu.s.1296 Words   |  6 PagesInfluence of Gangs on the U.S Despite the discrete and sly manner of gangs, their presence and acts have affected and continue to affect the U.S in many aspects. Since their early beginnings in the 1780s, shortly after the Revolutionary War, gangs have had control and power in many areas of the U.S. When gangs were still a new idea in the U.S most had real jobs and few were involved in serious crimes (Wolff 6). It wasn’t until the nineteenth century, a time where the U.S economy was in a rut andRead MoreOrganized Crime and Youth Gangs824 Words   |  3 PagesOrganized Crime and Youth Gangs The FBI defines organized crime as any group of individuals jointly and systematically engaged in criminal activity for the purpose of making money (FBI, n.d.a). The FBI also provides links to various organized criminal groups on their website, with most being defined by race or ethnicity. The most famous of these groups in the United States is the Italian Mafia or La Cosa Nostra, which is translated as this thing of ours (FBI, n.d.b). The FBI identifies four distinctRead MoreStreet Gang And Street Gangs950 Words   |  4 Pages2015 Youth and Street Gangs There is no definite term for the word â€Å"gang†. State and other local government organizations tend to create their own definition. The depiction of â€Å"street gang† is consistently intertwined with â€Å"youth gang†. However, the term â€Å"street gang† can mean two particular meanings that raise it’s face value. 1st, it proposes a common quality of gangs: They usually contain a street presence. Street socialization is a huge attribute of young gangs. 2nd, this expression alsoRead MoreIllegal Immigrants and Border Security Essay1232 Words   |  5 PagesTable of Contents Current Situation in the United States 4 Drug Wars: Emphasis in Immigration 4 Human Trafficking 5 Gangs 6 Conclusion 7 Works Cited 7 Current Situation in the United States According to the independent Center for Immigration Studies, in January 2000 there were 7 million illegal aliens living in the United States and the center estimated that number to grow by half a million a year (Peak, 2009, pg. 245). Based on this fact, the reality is that the minority has turn intoRead MoreEpidemic of Violence in the USA Essay1441 Words   |  6 Pagesworld right now, especially in America, where the gun control law are barely enforced, every citizen is at constant risk, considering the amount of people in this country that own guns. Crime and violence are rapidly becoming the prime epidemic in the U.S today, but what can we do to ensure our future generation’s safety? Gun violence is a big problem everywhere, in poor rural neighborhoods to prosperous urban cities like Malibu, it can happen anywhere at any time. The most deadly cases happen in suburbanRead MoreThe Violence Of Gangs And Gangs1377 Words   |  6 PagesGangs have become one of the nation’s fastest growing problems within recent history. According to the Federal Bureau of Investigation about 33,000 violent street gangs, motorcycle gangs, and prison gangs with about 2.4 million members are criminally active in the U.S. today. They use violence to control neighborhoods and boost their illegal moneymaking activities, which include but are not limited to: robbery, drug and gun trafficking, fraud, extortion, and prostitute rings. With as much researchRead MoreThe Impact of Gang Violence in Oklahoma Essay1345 Words   |  6 PagesThe Impact of Gang Violence in Oklahoma Gangs have had a huge impact in Oklahoma the many years they have been here. Gangs account for most of the drug trade, as well as most of the homicides in the Oklahoma area. Gangs are being fueled by the fear they have given the citizens, therefore most people are too afraid to do anything about the problem. â€Å"Every city in the world always has a gang, a street gang, or the so-called outcasts†.- Jimi Hendrix. http://www.brainyquote.com/quotes/keywords/gangRead MoreWhat Is The Connection Between The Fireguns?998 Words   |  4 PagesOffice Eastern District of California, â€Å"In 2013, at least 100 defendants were charged with federal firearms offenses by the U.S. Attorney’s Office for the Eastern District of California. The area in and around the City of Fresno, however, has been a particular focus of firearms prosecutions, and the U.S. Attorney’s Office is working closely with the Fresno Police Department, the U.S. Bureau of Alcohol, Tobacco, Firearms and Explosives, the FBI, and other law enforcement partners to target armed and dangerousRead MoreThe Cause and Effect of Joining a Gang with reference to Mara Salvatrucha 131200 Words   |  5 PagesThe Cause and Effect of Joining a Gang with reference to Mara Salvatrucha 13 According to the Cambridge Dictionary (n.d.), a gang is defined as, â€Å"a group of criminals that work together.† Gangs are a powerful force that is a constant threat against society. As of 2011, the National Gang Center (n.d.) estimates there to be 782,500 gang members in the United States alone. Mara Salvatrucha 13, also known as MS-13, is one of the biggest and most threatening gangs. The High Intensity Drug Trafficking

New York Of The Twenties - 956 Words

New York in the twenties â€Å"marked significant changes in lifestyle and culture† (Boundless). The twenties were booming with new technology and ways of life. They were also in prohibition, which led to corruption and organized crime groups like the mafia. New York in the 1920’s is authentically portrayed in the The Great Gatsby as the epicenter of wealth, crime, and good times. First of all, the culture in New York City and Long Island in the 1920’s was roaring with many good and bad opportunities. There were many choices to be had, from parties to nightclubs to movie theaters. â€Å"The twenties witnessed the large scale use of automobiles, telephones, motion pictures, and electricity† (Boundless) which opened up a new way of life. These things changed every day life and drew people from the country to the city and attracted foreigners. The city was always in constant motion, from late nights to â€Å"roaring noon† (Fitzgerald 69). There were ex travagant parties that lasted way into the night and often into the morning until noon. The latest technology such as cars and telephones gave people endless opportunities for entertainment. It follows that at this time prohibition was going on which led to crime groups such as the mafia, which actually created job opportunities for many people. This lead to â€Å"unemployment amongst urban workers [to] remain[†¦], on average, under 7 percent† (Living City Archive). This period was regarded to as an era of prosperity because newShow MoreRelatedThe Role of a Setting in The Great Gatsby Essay1176 Words   |  5 PagesIn F. Scott Fitzgerald’s The Great Gatsby, the setting of New York in the nineteen twenties performs an extensive role in the novel. Although the nineteen twenties are a time of economic prosperity, they appear to be a time of corruption and crime as well. In New York, particularly, the nineteen twenties are a time of corruption and moral scarcity. 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Storm Born Chapter Nine Free Essays

string(38) " number of us who infringe on humans\." â€Å"What’s the point of a bedroom? I mean, you guys seem to be more into public sex anyway.† Dorian gestured me around a corner to his suite or wing or whatever. â€Å"What we do is natural. We will write a custom essay sample on Storm Born Chapter Nine or any similar topic only for you Order Now We don’t hide it. Besides, it’s actually quite titillating to know others are watching. Haven’t you ever done it?† â€Å"Sorry. I’m not an exhibitionist.† And yet, as soon as I said the words, I thought about Kiyo. We’d been all over each other at the bar, and then we’d had sex out on the balcony. We hadn’t drawn that much attention, but we could have. Just thinking about it made me shudder – in a good way. We passed through another set of double doors with two guards standing outside. They had weapons, but I knew their magic posed the true threat. Once Dorian had closed the doors behind us, I turned and took in the room. â€Å"My God. Why would you have sex in the dining room when you could do it in here?† â€Å"I do do it in here. I do it in there. Honestly, it doesn’t matter. I like variety.† The room spread out for what seemed like miles, the far wall composed almost entirely of windows. It probably had a stellar view in the daytime. Everything from the paint to the enormous satin-covered bed was painted in shades of gold and wine. The torches on the wall added a charming, almost kinky touch. To one side I saw a room that must have served as a bathroom, judging from the giant marble tub. Opposite that, a parlor of sorts extended off on the other side of the room. He beckoned me there to an ornate chair with velvet cushions. â€Å"Wine?† he asked, picking up a crystal decanter from a little table. â€Å"You know the answer to that.† â€Å"I’m sure a small taste won’t hurt.† â€Å"Yeah, and Persephone thought a few pomegranate seeds wouldn’t hurt either. Now she rules the Underworld.† He poured himself a glass and sat down in a chair facing mine at an angle. â€Å"Would it be so bad to rule here?† â€Å"I’m going to ignore that question. Now look, I need to talk to you about a guy named Aeson. He kidnapped a human girl – â€Å" Dorian waved a hand to stop me. â€Å"No business yet.† â€Å"But I need to get her back soon – â€Å" â€Å"And I will help you, I swear it. Now. One more hour won’t matter. Sit with me, and I’ll tell you a story.† â€Å"A story? You’re serious?† â€Å"My dear Odile, I assure you I am always serious – well, no, actually that’s a lie. Most of the time I’m not. But this time I happen to be. So make yourself comfortable.† I sighed, slouched back in the chair, and took out the other Milky Way. Seeing his eyes on it, I broke it in half and handed him a piece. Nodding his thanks, he ate it with the wine, something that looked ridiculous and nearly made me smile. â€Å"Now. Tell me something. Have you ever heard the story of Storm King?† â€Å"No. Is or was he a real guy?† â€Å"Very real.† â€Å"So what, is there, like, a Storm Land or something?† â€Å"Not exactly. He did rule a vast area, but the title was more honorary due to his ability to control storms and the weather.† â€Å"Sounds reasonable.† He quirked me a half-smile. â€Å"I’m guessing you don’t realize just how important that is.† â€Å"Not really. I mean, all of you have some kind of magic, right? Why not storms?† â€Å"Ah, but to control storms and the weather is to literally control the elements. Water. Air. The fire of lightning. To see him in his fury was a terrible and amazing thing. He could call down the very heavens to smite his enemies. Few of us have such strength. I’ve never seen his equal, and I’ve lived almost two centuries. Even when crossing into your world, his powers didn’t dim.† â€Å"What do your own powers do?† That was probably something I should have known before being alone with him. â€Å"I can summon and control materials that come from within the earth. Dirt. Rocks. Magma on occasion.† â€Å"The magma sounds cool, but the rest†¦well, sorry. Not so impressive.† Those golden eyes sparkled. â€Å"I could call down the stones that have built this keep and reduce the entire building to a pile of rubble within minutes.† I glanced around us. â€Å"Yeah. Okay. That’s impressive.† â€Å"Thank you. Anyway. With power like that, he inevitably drew followers. In those days, we were more fractured†¦split into smaller kingdoms. Our political and geographic divisions are always changing. Storm King sought to remedy this. He conquered and united a number of the smaller rulers, attempting to unite all of the shining ones under his rule. He made astounding progress.† â€Å"Was he a good king?† I was getting sucked in despite my best resistance. â€Å"Depends on how you define ‘good.’ He was a good war leader, certainly. And he was ruthless – which is an ugly but sometimes necessary part of ruling. But, with such power, he had no qualms about taking what he wanted – no matter the inconvenience to others. Those who angered him died without question. If he wanted land, he took it. If he wanted a woman, he took her. Some of those women thought it was an honor, some were taken forcibly.† Dorian paused, giving me a look both studious and sympathetic. â€Å"Some were human.† I stiffened. â€Å"Like Aeson.† â€Å"Unfortunately, yes.† â€Å"‘Unfortunately’? You’re one of them. You must have a thing for humans.† â€Å"Of course I do. We all do – men and women alike. You all smell like musk and sex. It screams fertility. It calls to our most basic, primal instincts to reproduce. For a people whose children are dwindling, that means something. So, yes, I understand men like Storm King and Aeson, but† – he shrugged – â€Å"I’ve never been with a woman who didn’t want me, never taken one by force. Not even a human.† â€Å"You seem to be in the minority.† â€Å"No, as I told you earlier, it’s only a small number of us who infringe on humans. You read "Storm Born Chapter Nine" in category "Essay examples" You have your own rapists. They too are only a small number.† I shifted and leaned my head against the chair’s back. â€Å"Fair enough. Get on with the story.† He paused a moment, looking surprised, like he couldn’t believe I’d conceded a point to him. I could hardly believe it myself. â€Å"Very well. Storm King’s ambitions extended beyond conquering this world. He wanted to conquer yours as well.† â€Å"That’s impossible.† â€Å"Not so. The desire to return to our homeland burns in all of us; it would push many to extreme actions. He drew a lot of support, armies willing to cross over for this dream. He had the power to make it happen. He planned a massive Samhain invasion, consisting of shining ones and spirits alike.† â€Å"What happened? Obviously it didn’t work.† Dorian had propped up his elbow again, resting his hand in his chin as he had on his throne. That gorgeous hair hung off to one side, a stream of molten copper. â€Å"I’ll tell you in a moment. First I’d like your opinion on all of this. What do you think about this plan of his in light of your earlier noble words about conquerors and how the conquered must simply accept their fate? If our forces took yours in fair warfare, would you accept that so easily?† â€Å"I hate hypothetical questions.† He simply smiled. â€Å"Okay, then. ‘Accept’ is a funny thing. I mean, I guess if our armies and infrastructure were destroyed, I’d have to accept that on a certain level. Would I like it? Would I just let it go? Probably not. I’d probably always keep fighting. Looking for some way to change things.† â€Å"Then perhaps you understand our attitudes toward you and the world you live in.† â€Å"Yeah, but†¦why not let it go? You have a perfectly nice world here.† â€Å"You’re contradicting yourself.† â€Å"Well, in the scenario you described, we don’t have a new world. We’re subjugated in your new one.† â€Å"Would it make a difference?† I stared off at one of the flickering torches. â€Å"No. Probably not. I don’t know.† He was making me empathize with the gentry, and I didn’t like it. I turned back to him. â€Å"What happened, then? Is this Storm King someone I should go hunt down?† â€Å"No, alas. He’s already dead.† Dorian watched me for a moment, weighing me for some purpose I couldn’t understand. â€Å"Roland Markham killed him.† I straightened up. â€Å"What?† â€Å"You didn’t know that.† â€Å"No. Of course not. I’ve never even heard of this Storm King guy until tonight.† This answer turned Dorian pensive, momentarily halting his normal jocosity. â€Å"That rather astonishes me. Storm King must have been the greatest conquest of Roland Markham’s career. How can you not know? Isn’t he your father?† â€Å"My stepfather. But he trained me.† I turned the information over in my mind. â€Å"I don’t know why he never told me. When did it happen?† â€Å"Oh, about†¦thirteen years ago. Maybe fourteen.† That was around the time Roland had started training me. Coincidence? Had the threat of Otherworldly invasion frightened him into defying my mother’s wishes? When I didn’t say anything, Dorian continued: â€Å"Not surprisingly, Roland Markham has his own reputation around here. But some say with your kills, you have surpassed him.† â€Å"I wish you guys wouldn’t paint me like some bloodthirsty avenger.† â€Å"Prejudice works both ways.† â€Å"Yeah, but come on. Half the time, I just send them back here.† â€Å"You kill enough to scare most of the people out in the main hall.† â€Å"But that’s not why you’re telling me this story.† â€Å"True enough.† He poured another glass of wine. â€Å"You are brave, Eugenie Markham. You are brave and strong and beautiful. But your perspective and view of the world – worlds – are flawed. You don’t understand us. We don’t behave as we do out of an evil nature. We have reasons for our actions.† â€Å"Just as I do for mine. I don’t kill because I enjoy it.† â€Å"Well, I wonder about that, but yes, I get your point. You do what you do out of loyalty to your own kind. You want to protect them and see that they have the best lives they can.† â€Å"This is where you say you’re doing exactly the same thing.† He laughed out loud, the sound rich and melodious. â€Å"Why, Eugenie, did we just have a moment of rapport?† â€Å"You’ve stopped calling me Odile,† I noted, deflecting the question. â€Å"We aren’t in public. It doesn’t matter.† â€Å"Whatever. So†¦when Storm King was gathering his armies and followers†¦were you one of them?† Dorian’s levity faded. â€Å"Yes. I was. One of his biggest supporters, actually.† â€Å"Would you do it again? If you got the chance?† â€Å"In a heartbeat. I would give anything to see his vision realized. Since his death, prophecies and omens have abounded, whispering of other opportunities that might come in the future. I pay attention to them all.† I didn’t respond. â€Å"What are you thinking about?† â€Å"I’m trying to decide if I should break my hospitality vow and kill you.† His good humor returned. â€Å"Do you know how glad I am that you stopped by tonight? I haven’t had this much fun in years. But you won’t kill me. Not tonight, at least, and not even because of the promise.† I looked up at him again, a smile suddenly playing on my own lips. â€Å"Oh? And why are you so sure of that?† â€Å"Because I told you exactly how I feel. If I’d lied and said I had no interest in the human world or following Storm King’s vision, you wouldn’t have believed me. In telling you the truth, I shall live another night. You may not like me, but I think honesty might have bought me your respect.† â€Å"It might have.† Again, I lapsed into silence. Dorian seemed incapable of handling that. â€Å"Now what are you thinking?† â€Å"That you almost seem human.† He leaned toward me, a bit closer than I felt comfortable with. â€Å"Should I be flattered or insulted?† I gave a small, rueful laugh. â€Å"I don’t know.† â€Å"You have a lovely smile.† â€Å"Hey, don’t start with that. I don’t care how honest you are or how musky I smell.† He leaned back in his chair. â€Å"As you say.† I still couldn’t get over the idea of a massive invasion. â€Å"So, is your attitude toward Storm King pretty common? Do others feel the same way?† â€Å"Some do, some don’t. Maiwenn, queen of the Willow Land, believes he was evil incarnate. She wouldn’t join up with him and thought his plan would lead us to ruin. Others gave up after Storm King’s defeat. If he couldn’t do it, no one could. But others†¦well, many others still carry the dream. Including your King Aeson.† I sighed. â€Å"At last we get down to business.† â€Å"If we must. So. I gather you want to remove this girl from him.† â€Å"Yes.† â€Å"And how are you doing this? With your servants and that human?† â€Å"Yes.† Now Dorian didn’t say anything. â€Å"Hey, I know it’s crazy, but I don’t have any choice.† â€Å"Which is why you come to me.† I nodded, and at long last, I saw the wisdom of Volusian’s plan. If Dorian really could destroy this castle, he’d be a pretty good asset on a rescue mission. â€Å"Despite my compelling story about protecting my own kind, you actually think I would go against Aeson.† â€Å"Volusian – my servant – told me you two don’t get along.† â€Å"He’s right. Aeson is one of our strongest leaders, but I don’t like the way he rules or deals with his so-called allies. Yet, that doesn’t mean I can walk over there with you and openly oppose him.† â€Å"But you said earlier – â€Å" â€Å"That I would help. I still will. I’m just not going to do so in person.† Whatever kindly feelings I’d been building toward him disappeared. My voice turned icy. â€Å"Okay, so what are you going to do?† â€Å"I have a servant here who used to be one of Aeson’s men. I’ll send him with you as a guide.† â€Å"What good is that? My spirits already know the way.† â€Å"They don’t know the back ways. My servant knows the place intimately. He is far more likely to get you in unseen. I don’t know much about human tactics, but I imagine even in your world, subtle and stealthy is safer than marching in openly. Especially when you’re outnumbered.† I slouched back in the chair. â€Å"I suppose.† â€Å"Now you’re pouting,† he teased. â€Å"No, I’m not.† â€Å"I don’t mind. It’s charming.† â€Å"No, it’s not.† He touched my chin to turn my face toward his. â€Å"It is. But it’s still unwarranted. Would you have helped me even a little if I’d come to you in a similar way?† â€Å"No.† I didn’t even try to make a pretense otherwise. He withdrew his hand, still smiling. â€Å"We are all honest tonight. Well, then. I suppose I should introduce you to Gawyn.† â€Å"Wait,† I said. I stood up uncertainly. All of this honesty talk had put me in mind of Kiyo. So had the sex talk. Okay, everything made me think about Kiyo lately. â€Å"You have another question?† I studied Dorian carefully. He was one of the gentry, but something about this brief encounter made him†¦well, if not exactly trustworthy, then less untrustworthy. And really, he was the closest thing I might have to a true gentry resource. â€Å"Yes. I do.† I took off my jacket and then turned around, facing away from him. I wore no backless tank top today and had to completely pull off the long-sleeved shirt I had on. After a moment’s consideration, I took off my bra too. â€Å"Oh,† said Dorian. â€Å"I think I’m going to like this question.† I wrapped my arms around my breasts, still keeping my back to him. â€Å"Do you see the scratches?† â€Å"Of course.† â€Å"Do you know what they are? I think something Otherworldly made them.† I heard him stand up and approach me. Moments later, his fingertips lightly grazed the marks, following their tracks. His touch was slow and considering, one that truly sought to feel me. It shouldn’t have been erotic – for a lot of reasons – but it was anyway. His fingers trailed all the way down the scratches and then back up. â€Å"I can’t tell you what made them,† he said at last, â€Å"but I can tell you they were magically inflicted. If I had to guess†¦I’d say you’ve been marked.† â€Å"Marked how?† â€Å"I think whoever – or whatever – made these did so to track you. As long as these are on you, the maker can find you.† I shivered, and it had nothing to do with being topless or the fact that his fingers were still on me. â€Å"Can you get rid of them?† â€Å"No. They might eventually go away on their own, but I can’t tell you when. Who made them?† I hesitated. â€Å"A man.† Dorian spread his fingers out so that his palms were facedown on my back. â€Å"I’d be hard-pressed to scratch you like that standing here. I’d need to have my arms around you.† I didn’t answer. I could feel his soft laughter against my skin, and somehow, he now stood closer. â€Å"Why, Eugenie Markham, slayer of gentry, what have you done?† â€Å"I don’t know.† He ran his hands down my back until they rested on my hips. â€Å"And that’s killing you, isn’t it? That you might have let something you despise touch you like that. Did you enjoy it?† â€Å"None of your business. And you’re standing too close.† I turned around, still wrapping my arms around me as I stepped away. â€Å"The inspection’s over.† â€Å"If you wish. I’m not sure you really want it to be over.† â€Å"I don’t do†¦Ã¢â‚¬  I stopped. â€Å"Gentry?† He stepped forward again, resting his hands on my arms, holding more tightly than he needed to – not that he needed to be touching me at all anymore. I should have decked him, but I didn’t. He had considerable height on me but had to lean down to close the distance between our faces. He smelled like cinnamon. â€Å"You know, in spite of your deadly reputation, any man in this keep would bring you the world to be your lover. Come to my bed tonight, and I’ll take you to Aeson myself. I’ll fight by your side.† I stared up at him, half tempted. I needed the help. And he wasn’t too hard on the eyes. But I couldn’t do it, no matter how reasonable he’d seemed tonight. I had gone to Kiyo unwittingly. I couldn’t have sex with another of the gentry, knowing exactly what he was. That instinct wouldn’t budge. â€Å"No. You have plenty of women out there,† I said lightly. â€Å"You don’t need me.† â€Å"None of them will conceive like you. Your body promises many children.† â€Å"Not likely. I’m on the pill.† â€Å"The what?† I explained it to him, and while he didn’t back away from me, his eyes looked like he wanted to. He sighed. â€Å"I don’t understand humans. You’re gifted with fecundity, yet you stifle it.† â€Å"The world’s overpopulated. And I’m not ready for a baby.† â€Å"I don’t understand humans,† he repeated. â€Å"And here I thought we’d made such progress. I guess you can let go of me now.† â€Å"My offer still stands.† I felt my eyebrows rise. â€Å"Even with no chance of pregnancy?† â€Å"Don’t discount your many charms. I’d still sleep with you for other reasons.† â€Å"Like what? I mean, aside from the fact you’d probably sleep with anything female.† He looked down at me and then back up to my face, giving me the feeling I wasn’t covering my breasts very well. â€Å"I won’t bother with the obvious things,† he said. â€Å"Honestly the main reason†¦well, in one night, I think I might have convinced you that not all gentry are monsters. Might. You still have a long way to go. But you’ve already been intimate with one – or something else from this world – and you can’t stop thinking about it. And not because you hated it. You’ll mix that with what you’ve seen tonight, and then you really won’t know what to think. â€Å"I want to make love to you while that indecision still torments you, while you’re still not sure if I’m a god or a monster or simply a human like you. I want to be with you in that ultimate moment of vulnerability, when your desire wars with your instincts and every touch of my body triggers both fear and pleasure in you.† â€Å"Fear? Are you threatening to rape me like every other gentry lately?† â€Å"No. I told you, I don’t take women by force. But it doesn’t matter. You’ll come to me by choice.† â€Å"Not likely.† â€Å"Oh, very likely. Your own nature is conflicted, Eugenie. You’re attracted to things you know you shouldn’t be, even if you don’t realize it consciously. You like playing with danger – it arouses you. That’s why you fight the creatures of this world so aggressively. That’s why you’ve come for this girl – despite how foolhardy you know it is. And that’s why you’ll return to me. You won’t be able to help yourself. You want to walk that line, put yourself at risk, see how far you can let yourself go. You protect yourself so fiercely from the things you fear that the thought of letting down your defenses and submitting excites you. Now, you won’t let someone you hate – like Rurik – touch you, but me? You don’t hate me. Not quite. I’m the perfect mix. The perfect way – the safe way – to give in to what you want.† â€Å"You’re crazy.† I broke away, pushing with my hands, not caring if he saw my chest or not. â€Å"And you get off on some pretty crazy shit.† â€Å"No crazier than your own desires.† â€Å"You’re wrong. Besides, if I were going to fuck one of you, it wouldn’t be one who harbors plans to take over my world.† He shrugged, watching me put my clothes back on. â€Å"If you say so. Do you still want my earlier offer of help?† I hesitated. His little sexual tirade had unnerved me – only I couldn’t exactly articulate why. I still needed his help, regardless of my mixed feelings about him. That was becoming increasingly clear. â€Å"Yeah, I’ll still take your servant.† â€Å"Then let’s introduce you.† How to cite Storm Born Chapter Nine, Essay examples

Ace Frehley †Anomaly free essay sample

Ace â€Å"the Spaceman† Frehley was once a member of hard rock band KISS, but in 1982 he started a solo career, releasing several albums. â€Å"Trouble Walkin† in 1989 was his last solo album because of the KISS reunion tour in 1996. Now hes back with his first album in 20 years, and he doesnt  ­disappoint, even at 58. The first single, â€Å"Outer Space,† summarizes half of the album. Classic hard rock lyrics and his trademark solos will blow you away. He also includes not one but two instrumental tracks, â€Å"Fractured Quantum† and â€Å"Space Bear.† Frehley has been sober for three years now, which in my opinion makes his music even better. The song called â€Å"A Little below the Angels† talks about how alcohol almost took his life. Frehley also shows his softer side with tracks like â€Å"Change the World.† Frehley does an amazing cover of Sweets â€Å"Fox on the Run,† and it hurts me to admit as a fan of Sweet that Frehleys version is better. We will write a custom essay sample on Ace Frehley – Anomaly or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page It has the potential to be as big as his cover of Hellos â€Å"New York Groove,† which made it to #13 on the Billboard Hot 100 back in 1978. Frehleys solos make me feel like he is the eighth wonder of the world. And after listening to this album, you might be inclined to agree. He puts bands today to shame. â€Å"Anomaly† proves that Ace Frehley still has it and deserves a place among the greatest artists of all time.

St. Elizabeth Essays - Bible, Gospel Of Luke, Religion,

St. Elizabeth I chose the name Elizabeth for my confirmation name after Saint Elizabeth. I feel that she is a very important part in history. Elizabeth was the mother of John the Baptist. She was also the wife of Zacharias, a priest, and a relative of the Virgin Mary. When Elizabeth, who had no children, and was at an advanced age, the angel Gabriel appeared to her husband and predicted a son. Six months later, the angel appeared to Mary to announce the conception of Jesus. During the pregnancy of both women, they met, and Elizabeth greeted Mary by saying Blessed are you among women and called her mother of my Lord. In the Roman Catholic Church, St. Elizabeth's feast day is November 5. Religion

Free Essays on Kennewick Man

Kennewick Man Who owns America’s history? On the morning of July 28, 1996, two men enjoying the annual hydroplane races held on the Columbian River in Washington State unearthed a skull and a nearly complete skeleton 10 feet off the rivers shore line. (1) The anthropologist, DR James Chatters who first studied the remains has dubbed the skeleton â€Å"Kennewick Man†. The Native Americans refer to him as â€Å"The Ancient One†. The remains are that of a man who lived between 9,200-9,600 years ago. (2) This amazing discovery is now at the center of a national controversy over the interpretation of the Native American Graves Protection and Reparation Act, also known as NAGRPA. NAGPRA applies when human remains and funerary objects are recovered from federal or Indian land. It states that ownership or control of Native American human remains or objects shall be given to lineal descendents of the Native American or Indian tribe on whose land such objects or remains were discovered or Indian tribe which has the closest cultural affiliation and states a claim for such remains or objects to the study of the remains. (3) A coalition of five Native American tribes claim Kennewick Man as an ancestor and have requested that his bones be returned for proper burial under NAGRPA. (4) In response to this claim several prominent scientists have sued for the right to study the bones. They argue that the skeleton is too old to be affiliated to any one people and that â€Å"Repatriation will deprive scholars of any opportunity or right to study this treasure†, â€Å"Study of the skeleton would be of a major benefit to the United States†(5) Vice chairman Jerry Menick, of the tribal council of the Yakama Indian Nation responded by stating, â€Å"Let the anthropologists study their own bones†. (6). This set in motion what has become a showdown between the quest for scientific knowledge and respect for the religious beliefs of the M... Free Essays on Kennewick Man Free Essays on Kennewick Man Kennewick Man Who owns America’s history? On the morning of July 28, 1996, two men enjoying the annual hydroplane races held on the Columbian River in Washington State unearthed a skull and a nearly complete skeleton 10 feet off the rivers shore line. (1) The anthropologist, DR James Chatters who first studied the remains has dubbed the skeleton â€Å"Kennewick Man†. The Native Americans refer to him as â€Å"The Ancient One†. The remains are that of a man who lived between 9,200-9,600 years ago. (2) This amazing discovery is now at the center of a national controversy over the interpretation of the Native American Graves Protection and Reparation Act, also known as NAGRPA. NAGPRA applies when human remains and funerary objects are recovered from federal or Indian land. It states that ownership or control of Native American human remains or objects shall be given to lineal descendents of the Native American or Indian tribe on whose land such objects or remains were discovered or Indian tribe which has the closest cultural affiliation and states a claim for such remains or objects to the study of the remains. (3) A coalition of five Native American tribes claim Kennewick Man as an ancestor and have requested that his bones be returned for proper burial under NAGRPA. (4) In response to this claim several prominent scientists have sued for the right to study the bones. They argue that the skeleton is too old to be affiliated to any one people and that â€Å"Repatriation will deprive scholars of any opportunity or right to study this treasure†, â€Å"Study of the skeleton would be of a major benefit to the United States†(5) Vice chairman Jerry Menick, of the tribal council of the Yakama Indian Nation responded by stating, â€Å"Let the anthropologists study their own bones†. (6). This set in motion what has become a showdown between the quest for scientific knowledge and respect for the religious beliefs of the M...

Design an ethics program Essay Example | Topics and Well Written Essays - 2500 words

Design an ethics program - Essay Example There are many forms of business ethics such as the philosophy of the business. By this we mean that if the sole purpose of the firm is to maximize the wealth of its shareholders then they will not consider the interest of anyone else. Then there is the concept of corporate social responsibility which considers the rights of company and the society as a whole. Then there are ethical issues pertaining to the intra industry competition, corporate governance and the misuse of the ethics for one's own benefits. In order to overcome such ethical issues companies focus more these days towards the formation of their ethical program in the organization. They are diverted towards promoting non social values by addressing such issues on their company websites under headings such as social responsibility charters and the codes of social conduct and so on. There are mainly three ways in which the company can make this ethical program. One such business is ABC manufacturer of cereals offering products for children and family. The company also sells frozen waffles and pancakes. It is very important for them to generate an ethics program as over the years it has been seen that businesses and governments have to confront public, political and legal reactions in cases of misconduct. Compliance with the company's policies, regulations and procedures is an effective tool for the smooth functioning of the organization as well as its reputation of the business. Customers also perceive you positively. Successful organizations particularly lay special emphasis on it due to its benefits. It reduces widespread risk. It is sign of good corporate governance; it will facilitate the company in achieving its goals and long term prosperity. It will promote the values of the organization and help it in maintain its ethical health (Fraedrich & Farrell, 2008-09). There are mainly three ways in which ABC can make this ethical program. ABC can form specific rules and guidelines in order to regulate their standards for example a written code of conduct or it can form a statement which comprises of the missions and values of the business. Then there are some firms that apply corporate philosophy such as Hewlett Packard did, they defined it as HP's way of doing business. Like Hewlett many business organizations use this approach. Research has shown that there are a lot of benefits of such a program such as the prevention of misconduct, this will save the monetary losses and also gain customer trust. The business will be adaptive to organizational change. By implementing the rules they can come up with various other ways of mergers, acquisitions and adapting new technology. Prevent them from getting fines of billions of dollars and penalties which can be very costly. It will help boost the relationship with the stakeholders. Stakeholders are all the groups related to the business that have some form of interest in the business. The company will be able to get away with the corporate scandals if they have a defined compliance and ethics program. Moreover external auditors go through the compliance culture of the company while performing the audit of the company. They have their own

Legalizing Marijuana is The Solution, not The Problem Essay

Legalizing Marijuana is The Solution, not The Problem - Essay Example Legalizing marijuana is the solution and not the problem. Already in the medical domain, there is some scope for legal use of marijuana under supervision. There are physical and psychological benefits of smoking marijuana for those suffering from a number of painful and distressing diseases. Much like alcohol, marijuana relaxes the muscles and creates a sense of well-being. When it is processed in a professional way and distributed legally, it causes no social problems. Any negative effects from smoking marijuana arise from the fact that it is prepared by unqualified people and sold in unregulated fashion on the streets. Prices and quality are difficult to control, and this creates risk for both buyers and sellers. Most seriously of all, the illegal status of the drug encourages gangs to become involved, and this, in turn, makes violence more likely. All of this would vanish overnight if marijuana were to be legalized. The legalizing of marijuana does not mean that it should be handed out to anyone, and especially young people, whenever they want it. A responsible, legal sales regime, with appropriate minimum age requirements, would ensure that the vulnerable are protected. It is time to end the prohibition of marijuana, just as we did for tobacco and alcohol. Legalizing marijuana solves multitude problems and it is time for the state to carry out its duty of care for the people, rather than abandoning them to the unregulated markets of the streets.

Logic gates characteristics Lab Report Example | Topics and Well Written Essays - 1250 words

Logic gates characteristics - Lab Report Example Also, an XOR (Exclusive- OR) which is sometimes called an inequality comparator implements the expression such that â€Å"if A is different than B then X is true. Sometimes a buffer may be used between the inputs and output of a logic circuit. The buffer helps to increase the fan-in of the circuit. The XOR gate is commonly used as a buffer to supply a 0 or a1to one of its inputs. Multiplexers behave like rotary switches and select any one of its inputs as output. It is a combination of logic gates thereby having several inputs with only one output. The input channel to be read into the output is controlled by supplying a definite digital word to the select inputs. In experiments using microelectronic chips such as the Multiplexer ICs, care should be taken when handling so as not to expose the chips to static hazards. The input lines to a multiplexer chip are 2, 4, 8 or 16 that supply the output one at a time. They are used to reduce the number of logic gates required to implement th e circuit. Digital multiplexers are constructed from analogue switches encased in a single IC package. The multiplexer is used in signal routing, data communications and data bus control. They can be used together with a demultiplexer to transmit parallel data in serial form through a single data link e.g. fibre optic cable. Multiplexers are also used a A/D converters thereby reducing the amount of heat dissipated (Bate, 1988). Aim To use a digital logic circuits to decode an industrial control system, and to test an equivalent logic decoding circuit using a multiplexer chip. Procedure The control system of a bottled water factory is designed to follow specific process to control the filling upon receiving specific instructions. The process will halt with logic zero output. The processing plant sensors produce logic level outputs for the following devices. B – Bottle Position Correct Position= logic 1, and an incorrect position = 0 W – Water level low Water level low = logic 0, and water level satisfactory = 1 V – Flow Valve Position: Flow valve open = logic 0, and flow valve closed = 1 F – Water Filtration System: Filtration blocked= logic 0, and filtration working = 1 This process is halted on the following conditions: When the bottle position is incorrect and it is filling and this is indicated by an open flow valve. Or if the water level is low, but not when the flow valve is open. Also, if the Filtration is blocked, but only if the Flow valve is closed and the water level is not low. Also, if the Flow valve is open, and if the bottle position is incorrect or water level remains low. Discussion Full truth table of the industrial control process is shown below; The above conditions for halting the process can be simplified as shown here under, Position, P = 0 if; 1). (B= 0).(V=0) 2). (W = 0) (V= 0) = (W = 0). (V= 1) 3) (F = 0). (V= 1). (W = 1) 4). (V = 0). (B = 0). (W= 0) P= X: (V=0). (W=1) Truth Table. The above truth table can be simplified using the Karnaugh Map shown below; From the K- map it is clear that P = W.F. This can be implemented using the circuit shown below; B W V F P The circuit was built using the 74LS151 microchip as shown below and tested to find out if the desired result is obtained. The output Z was tested and found to follow the truth table shown here under, The tested output is found to quite agree with the results in the first truth table.

Cultuur en Opvoeding

Cultuur en Opvoeding Interculturele Pedagogiek Extra opdracht Beoordeling Cultuur en opvoeding Cultuur en Opvoeding. Een recensie over het boek van Lotty Eldering. De discussie over het multiculturele karakter van de Nederlandse samenleving keert herhaaldelijk terug. Eà ©n van de redenen hiervoor is de toename van immigranten en vluchtelingen uit niet-westerse landen naar Nederland. Prof. dr. Lotty Eldering, emeritus hoogleraar Interculturele Pedagogiek aan de Universiteit Leiden, heeft vijfentwintig jaar lang onderzoek gedaan onder allochtone gezinnen. Naar aanleiding van dit onderzoek heeft ze begin 2002 een overzichtwerk geschreven, waarin aandacht wordt besteed aan zowel de huidige (opvoedings-)situatie van allochtone ouders en kinderen, als hun voorgeschiedenis en de daarbij behorende cultuur als hun verdere leefsituatie. Dit boek heet Cultuur en Opvoeding. Interculturele pedagogiek vanuit ecologisch perspectief. Niet eerder was er een studieboek verschenen over het onderwerp interculturele pedagogiek. Lotty Eldering is een van de eerste schrijfsters die zulk grondige informatie verschafte over de nieuw bevolkingsgroepen die in Nederland binnenkomen. Het doel van dit boek is het bij te dragen aan het tot stand komen van een beter inzicht in de culturele orià «ntatie en sociale positie van allochtone ouders en jeugdigen. Daarnaast is het de bedoeling de culturele sensitiviteit, ten opzicht van deze mensen, van haar lezers te vergroten. Het boek is bestemd voor een groot publiek, namelijk studenten en docenten die zich willen verdiepen in de opvoeding en leefwijze van allochtone jongeren, praktijkwerkers, onderzoekers en anderen die behoefte hebben aan kennis en inzicht van cultuur op de opvoeding. Daarnaast is het ook handig als naslagwerk te gebruiken. In Cultuur en opvoeding wordt de manier van opvoeden van allochtonen in Nederland duidelijk besproken, zodat je er een goed beeld van kan vormen. Telkens wordt hierbij ook gesproken over de islamitische en de hindoestaanse manier van opvoeden. De religie en tradities van deze groepen worden hierbij ook behandeld om een beeld te krijgen hoe zich dit in de Nederlandse samenleving inpast. Ook wordt hier een vergelijking gemaakt met de Nederlandse gewoontes en de christelijke opvoeding. Nederland wordt hier gezien als multiculturele samenleving, door toename van het aantal immigranten en vluchtelingen die afkomstig zijn uit niet-westerse samenlevingen. Wat hier allemaal bij komt kijken wordt beschreven te samen met de waarden en normen in Nederland. Eldering schrijft vanuit een ecologisch perspectief. Dit perspectief gaat er van uit dat de sociale en culturele context van het gezin, de omgeving, grote invloed heeft op de opvoeding en ontwikkeling van het kind. Tot nu toe is het ecologisch raamwerk voornamelijk gebruikt bij het bestuderen van een stereoculturele omgeving en niet, zoals Eldering doet, bij het bestuderen van kinderen die opgroeien in een multiculturele samenleving. Eldering beschrijft kritisch het ecologische model en het developmental niche model (ontwikkelingsgebieden) van respectievelijk Bronfenbrenner Harkness en Super. Cultuur en opvoeding geeft de informatie erg beschrijvend weer. Het leven van allochtonen in Nederland wordt beschreven en geÃÆ' ¯llustreerd aan de hand van voorbeelden in aparte kaders. Door het boek loopt over het algemeen een goed volgbare rode draad die de lezer langs al die aspecten leidt. De indeling van het boek verloopt op een logische manier, van het grote algemene (wat zijn allochtonen, waar komen ze vandaan) naar het meer uitgewerkte (hoe wordt er opgevoed, welk risico- en probleemgedrag komen er voor). Doordat de voorgeschiedenis en de cultuur in de landen van herkomst, van de allochtonen gezinnen die in dit boek worden behandeld, eerst toe te lichten kom je tot een beter beeld van deze gezinnen. Ook verklaard dit veel van wat er in de rest van het boek volgt. Deze twee punten hebben namelijk nog steeds invloed op zowel de opvoeding als de andere dagelijkse dingen in de allochtone gezinnen wanneer deze in Nederland wonen. Na een voorwoord van de schrijfster zelf, volgt een inleiding over de interculturele pedagogiek en het gebruik van dit boek. Hierin worden drie theoretische perspectieven, namelijk het ecologische model (invloed omgeving op de opvoedingssituatie), historisch en vergelijkend en acculturatie (dichterbij elkaar komen van mensen uit verschillende culturen) en cultuurverschillen, genoemd die gebruikt zijn in dit boek als richtlijnen. In hoofdstuk 2 worden de identificatiecriteria, herkomst en migratie van allochtonen in Nederland beschreven. De meeste aandacht gaat hier uit naar de (Creoolse en Hindoestaanse) Surinamers, de Marokkanen en de Turken. In hoofdstuk 3 gaat het om het theoretische kader. Hier worden de integratie, het multiculturalisme, het ecologische raamwerk (met hierin het ecologische model van Bronfenbrenner en de devolopment niche van Harkness en Super), de cultuur en de risicofactoren (zowel in het algemeen als speciaal voor allochtone jongeren) beschreven. De religie staat centraal in het volgende hoofdstuk. Hier worden de Islam en het HindoeÃÆ' ¯sme verder uitgewerkt, van het ontstaan tot de komst van dit geloof in Nederland. In hoofdstuk 5 draait het om de maatschappelijke participatie en de culturele orià «ntatie van de allochtonen hier in Nederland. Hier komen onder andere de sociale positie, taal en de banden met het land van herkomst aan bod. In hoofdstuk 6 gaat het boek vervolgens verder met de crossculturele verschillen in opvoeding. Hier wordt het socialisatiemodel van Kagità §ibasi en visies op kinderen en hun ontwikkelingen behandeld en de punten opvoeding, leren en identiteit worden nader uitgelegd. In hoofdstuk 7 gaat Eldering daarop door, want hier staat de opvoeding van allochtonen gezinnen centraal. Dit is geschreven vanuit de allochtonen gezinnen (Marokkaans, Turks, Surinaams) zelf. De adolescentie is het onderwerp van hoofdstuk 8. Hier gaat het over relaties (met ouders en leeftijdsgenoten), vrije tijd en vriende n, school en werk, seksualiteit en huwelijk. In het laatste hoofdstuk wordt tot besluit de risicofactoren en het probleemgedrag behandeld. Hier gaat het over wat een belangrijke basis is wat een jongere nodig heeft, welke risicofactoren er zijn en met welke psychosociale problemen ze te maken kunnen hebben. De manier van schrijven, de indeling van het boek en de vele voorbeelden, van zowel tekst als illustraties, maken dit boek tot een leerzaam boek die ook prettig is om te lezen. Wel mist er zo nu en dan wat structuur. Wat tussen hoofdstuk 6 en hoofdstuk 7 wel duidelijk is, is tussen andere hoofdstukken sporadisch. Tussen hoofdstuk   6 en 7 is een duidelijk verband, er wordt in het eerste hoofdstuk een achtergrond geschetst voor de tweede. Vrijwel alles waar aan gedacht wordt bij het denken aan allochtone mensen in Nederland, komen aan de orde. Aspecten die hier worden bedoeld zijn bijvoorbeeld religie, manier van opvoeden, sociale positie en andere cultureel specifieke dingen. Het is een interessant boek voor diegene die geÃÆ' ¯nteresseerd zijn in cultuurverschillen hier in Nederland. Alles bij elkaar maakt dit informatieve boek compleet.

Describing The Obelisk :: Egypt Monuments Essays

Describing The Obelisk Whether you are driving past it on the freeway or it catches your eye as you leave the movie theater, the obelisk that stands in front of the Irvine Spectrum Center is a commanding sight to see. The 50-foot high fiber optic wonder is an impressive display of ancient shape and modern technology. During the evening hours, the needle rhythmically fades from one color to another, changing shades and hues. In daylight, it is a gleaming white beacon to all who look on. It is the identifying feature of a large business center know as the Irvine Spectrum. It is located where the 5 and 405 freeways connect in Irvine. This plaza contains a diversity of shops and restaurants, as well as commercial and business buildings. It is also the site if the Edwards 21 Cinema Complex and Edwards Imax 3-D Theater. Irvine Spectrum is surrounded by expanses of land that have yet to be developed, or are undergoing preliminary steps of development. This center is used by both young and old who shop, eat, and w ork there. Many people go to the Irvine Spectrum for the sole purpose of visiting the most technologically advanced movie theater in the world - the Edwards Imax 3-D Theater. I believe that this attraction is one of the main reasons the obelisk stands in front of the complex. When The Irvine Company, the development firm which built Irvine Spectrum, decided to have this one of a kind theater located at Irvine Spectrum, I think they were searching for something which would represent the grandeur of the new attraction. I believe the obelisk is that something. The stately shape is easily identifiable as one that has endured the test of time, while the advanced fiber-optics which cover the surface add new-age technology to ancient symbolism. The combination of these two factors into the structure of the obelisk parallels the theater because both are classics with a new twist. The obelisk, however, also parallels its counterparts from thousands of years ago. From the remains of great civilizations of the past, obelisks are found to be one of the most easily identifiable monuments of all.

Examine strategies adopted by the directors studied on the course to depict marginality in modern French society

Marginality within a society speaks of something or someone that is not important which results in them being excluded from society and leaves them feeling alienated. ‘La Haine' and ‘Sans toit ni loi' are two films developed around the period of ‘la fracture sociale', the former centred on the community in particular and the later centred primarily on the individual. The 1980's saw the rise of civil unrest in inner cities, which similarly led to a rise in unemployment and educational problems. There was also the perceived threat of national identity, and at the same time worries about Muslim integration had commenced. It was at around this time that there was the ‘affaire du foulard,' a very controversial period as the French republic separates the church and the state. The difficulty of integration and threat of national identity, developed into the French media using the ‘la fracture sociale. ‘ ‘La Haine,' was brought out at a moment in France during the Mitterrand period, where serious questions were being asked about integration and immigration. A controversial film, Mathieu Kassovitz' film ‘La Haine,' represents an account of ‘la fracture sociale,' or rather divisions within a society. Marginality is a result of divisions within a society, and in the case of ‘La Haine', these divisions are due to social and racial conflict. Because of such conflicts and divisions it results in certain social, as well as ethnic groups, being excluded from society as a whole. ‘La Haine,' is set in Paris and more specifically in the ‘banlieu's' of Paris, the outskirts of Paris. The fact that it is set on the outskirts of Paris already brings a long with it certain connotations, the fact that it is set a part from Paris itself, all of which are negative. A term particularly used to describe the people within les banlieus is ‘les exclus. ‘ This term quite clearly depicts that they are excluded from the rest of Paris. Kassovitz has translated this problem of exclusion by reinforcing its universal aspect, which represents a principally masculine world. La Haine is centred on a group of friends, all three of a different race, religion and ethnicity. They have been excluded by society and made to become the margins of society because of their accent, their geographical and economic isolation. They are three characters that have not been accepted into society, even though they were born in France and are not immigrants. Almost all the characters in ‘La Haine' are male and female characters; â€Å"underlining their disempowerment† (1) often boss the three main characters around. The citi is divided along gender lines as well as lines dividing social class. The interiors are home to the woman as is the middle to upper class, and the outside is masculine as well as working class. This is quite clearly creating margins for division within the French society as a whole. Paris is a tool that plays a part in upsetting spatial relations with the three friends, not only in the male-female sense, but it also causes them to be separated from Paris and the middle class of society. They feel that presence is not accepted within certain places in Paris â€Å"the spaces become prisons of one kind or another. (2) In this case it is the banlieue that is their prison, it is this space that is excluding them from the rest of society and thus alienating them. ‘La Haine is constructed around the opposition between Paris and the banlieue The exclusion and enclosure that this group of friends faces appears to have forced them to turn and adopt a different identity. The influence of the American culture, via movies and gangster films, is evident from the use of the informal language and slang which convey a feeling of the ghetto. They have practically been rejected by their own society/identity and they appear to have no other choice but to adopt certain American attributes. This is not only emulated in their use of slang, but also in their clothes and the music that they listen to. All of which are typical traits of the American culture. ‘La Haine pushes the idea of assimilation of immigrants into French society throughout the film, resulting in them having to cut off any links they have with their country of origin. Youth in the film are very distant from their parents and also their traditions. This may be because of the struggle; they face on a day to day basis, to fit in. They are considered insiders because they are resident in France while fitting into the youth culture of the banlieue while being outsiders because of racism because of their country of origin. This indicates that they must reject both heir parents and their country in order to survive, otherwise they will be unsuccessful in their assimilation. Lack of identity because of young age is often the case, but with the youth of the banlieue do not really have that reasoning behind their exclusion. It is perhaps the message behind the film that the youth of the banlieue are being forced into criminal and violent actions, because the French society is unwilling to acknowledge the predicament in which they are in. It then becomes a vicious circle, and this predicament into which the are forced becomes their destiny. It is just that the audience feel a degree of sympathy towards these main characters, s they are not necessarily violent, nor are they particularly involved in drugs or crime but due to their social situation they have been branded as ‘les exclus', the excluded ones of French society. Kassovitz offers his audience, through the space of ‘La Haine,' an experience, which is familiar to contemporary France either through personal experience, politics or more recurrently through the media. The portrayal of marginality in contemporary France and its problems, are often the result of the mediatisation of the banlieu and its social problems, which then creates a specific image of the banlieu and its habitants to the rest of society. At this time there were several films that were produced based largely upon the banlieue, and this emergence of films was labelled by critics as he cinema de banlieu. All of which tended to focus on social exclusion within the deprived boundary of cities within France. The effect of space appears to particularly poignant part in the film. The movement of the camera into certain spaces, alongside the sense that they are being forgrounded into the space immediately forces them to the front of the screen; this is created through fuzzy and unclear backgrounds. Another effect used to make a space feel in enclosed is the use of mirrors. All of which communicate the feeling of an enclosed space. Rather than the three friends being liberated, and being allowed to move freely in an open space, they appear to be trapped in such an enclosed space. This may be compared to Nikita, where we find Nikita herself moving in very elaborate spaces, she is not being restricted whereas the groups of friends are. In ‘La Haine' community members are linked by their own exclusion. What we see in ‘Sans toit ni loi,' presents a different form of marginality, that of a homeless woman roaming the streets. Its is normally perceived that when a person is hitch-hiking or even travelling by road that he/she will form certain friendships along the way. Mona represents not only a female figure, but also one of who is travelling alone. Not only is she reflecting her alienation from society by firstly being alone, but also by defying traditional female expectations of how she should be living. It puts into question her Feminine role, which is explored through Mona's life on the road after her death. To those who meet Mona along her journey, they find her radical and out of the ordinary. They are not used to meeting people, and woman of this nature and this prevents her from forming any sort of bond with those that she meets as they are incapable of understanding her. Mona also possesses an indifference to any forms of normality, and it is this indifference to normal social relations that enamours her to some while at the same time others find repelling. The people that appear to be enamoured by her are those that wish to be in her position, free to have the space to do what they want to do, those that are enclosed and caged in their traditional and suffocating female roles. These women at first sight see Mona's braveness and rebellion, and contemplate what it would be like to be in her position. Her presence affects middle-aged housewives, schoolgirls, truckers, mechanics, construction workers, academics, and domestics. Each reacts to her in a way that is indicative of her or his social position in the community. For example, a young farm girl helps Mona fill her water bottle at the family pump and later, during a family dinner, she tells her parents she wants to be free like the camper. When her mother asks who would make her dinner every night, the girl quietly replies, â€Å"At times it would be better not to eat. † To this girl, who lives a sheltered life with her parents in a tiny village, Mona represents the freedom to go where she pleases without answering to anyone, a life full of excitement. Other parents worry that their daughter will turn out like Mona. In reference to Mona, a wife tells her husband, â€Å"She's got character. She knows what she wants. Marry the wrong man and you're stuck for life. I liked that hippy. † To this middle-aged matron, Mona represents the freedom of choice. From these short observations on Mona, frequently given by witnesses who appear only once and are not involved in any of the more complex social relationships in the film, a complete range of views on Mona is expressed. Otherwise others find her, and this is for the most part, offending and disgusting. All owing to her smell, dirtiness and her appearance, all of which normal women who fit into society find disgusting and it is these women that are the main cause of excluding her from society. Not only is it the vagabond role or image that which excludes a person from society, but it is also these liberating and rebellious characteristics that cause Mona to be alienated from society. Mona has five significant relationships throughout the film. She has two female â€Å"friends,† Madame Landier and Yolande, two lovers, David and Assoun, and one intellectual partner, the Goatherd. Through encounters that Mona has along her travels and the relationships which she develops, Varda explores Mona's capacity for emotional warmth, her intelligence, and her independence, but more specifically these relationships explore other people's views of Mona and they express who she â€Å"should† be. It is society that imposes these views on people, forcing them to have certain expectations and notions about others. Madame Landier and Mona are societal opposites. Madame Landier has a career, she has a home, and she is clean and well fed, while Mona does not possess any of these qualities. Mona is a drifter, an outsider, and as such it is her role â€Å"†¦ to provoke self-examination and doubt in the minds of those who ‘belong'. † (3) We never really understand Mona or who she is, and perhaps this is because of the way in which she detaches herself from others. But it is more probably because we are incapable of relating to Mona, and this forms a kind of block in our thoughts and feeling towards her. We cannot understand her perhaps because we are unwilling to. We possibly in effect learn more about the interviewees and in particular ourselves as spectators. It is Mona's detachment from others leads to her deterioration in her health and her ability to read social situations in which she finds herself, and which eventually leads to her death. ‘Sans toit ni loi,' represents a woman's escape from patriarchal control, through utter braveness and rebellion, and an indifference to what is considered the norm amongst society. It is her death that is the first sequence in the film, and it is particularly shocking. The question may be asked whether Mona's life would have been cut so short, had she been accepted by society for her unique qualities. Mona faces several rejections in her journey, the harshest of which is the rejection given by the Goat-herder. In his own words he chose a â€Å"middle road between loneliness and freedom,† when he decided to reject mainstream society but to keep a family. The morning after Mona's arrival his irritation with her begins to show. He thinks she has slept long enough so he makes a great effort to wake her. As they speak he learns that she lives for the complete freedom of the road, that she has no desire for anything and that she is lazy and ultimately ungrateful too. He moves her out of the house and into an abandoned trailer in the yard in order for her to start a potato farm. To disguise her hurt at being moved away from him and his family, Mona exclaims, â€Å"You three and the herd are a crowd† as she moves into her tiny new home. Once in her new home Mona forgets about her potato farm. She stays in her trailer reading, smoking and sleeping. The Goatherd, in frustration, finally kicks her off his property telling her it's not fair that all she does is sit around all day while he and his wife work. During the conversation when he asks her to leave, Mona tells the Goatherd that if she had the chances he has had (he has a Master's degree in Philosophy) she would not be living in the squalor in which he exists. ‘You live in filth just like me, only you work more,† she tells him. Later when he offers his â€Å"testimony,† (which immediately follows Mona's rape) the Goatherd says: â€Å"By proving that she's useless, she helps the system she rejects. That's not wandering, that's withering. † The Goatherd is â€Å"†¦ till in the thrall to the work ethic of the society which [he] affects to despise,†(4) and cannot endure Mona's laziness. According to Varda the Goatherd is â€Å"†¦ the worst judge of all because he wants to be marginal but in his way. He doesn't accept other people. â€Å"(5) The Goatherd lives in some sort of system, although it too is marginal, whereas Mona has rejected the system entirely and functions in an even bigger margin of society. Mona's rejection of social and sexual productivity is counter the idea of women. Her identity as a woman stops her from having fixed identity, along with her constant moving about. â€Å"Mona's independence from a fixed identity is an assertish of her altiriti (otherness). â€Å"(6) In ‘Sans toit ni loi,' Tracking shots are very important, the importance of direction moving from right to left giving the impression of backward movement which may be interpreted as moving against the culture and the tide, which reflects Mona's character. Even her degree of independence is emphasised by the tracking shots; they do not follow her exactly, as the camera either overtakes her or she overtakes the camera. Although we consider Mona as part of the marginal of society, throughout the film we also see her interacting with other groups of marginals: the Mahgrebian migrant workers, the homeless and also the goatherd. Yet Mona also finds exclusion amongst these groups too, this is particularly obvious when the goatherd says to her: â€Å"You're not a drop out, you're just out. You don't exist. † This may as well be the case because although Mona is alive, it is as though she is not really living. La Haine' and ‘Sans toit ni loi' are two films which present the theme of marginality, the former questioning marginality in terms of femininity and female marginality and the later concerned with marginality within the community. ‘La Haine' and â€Å"The Banlieue is presented as a dessert, with no feeling of public space and precious little private space either; Paris where Vinz, Said and Hubert spend almost half the film, is rejecting and alienatory. † ‘La Haine' is in fact, to quote Olivier Mongin, â€Å"the impossibility of developping an identity, personal or collective. This film is concerned In ‘Sans toit ni loi,' the interviews function almost as verbal testimonies; they are not chronologically placed fading in and out, an unconventional style. They also create distance for the spectator, and it is this effect that allows us to judge Mona in some way. We also are able to judge Mona through Varda's use of art. When Mona comes from the sea it recalls the myth of Venus, but in reality Mona is the total opposite of this. Mona is dark from the dirt, smelly and of ‘undefinable shape. ‘

Ruby Moon Essays

Ruby Moon Essays Ruby Moon Essay Ruby Moon Essay When reading the play Ruby Moon it is easy to pick up on the personal and social tensions between characters. The descriptive nature of the stage directions and the very act of reading as opposed to just seeing on stage, being able to take time to look over each line, means that a reader can see which scenes accentuate the tension between both Ray and Sylvie or the characters they have created. Stage directions in the play plainly describe when a pause on stage is to be tense, or what the vibe is supposed to feel like during a particular scene. Bringing these tensions onto stage, however, is a more difficult task. An audience in a theatre cannot simply read that a silence is supposed to be tense; it is up to the actors and their use of the stage, as well as the lighting, set and audio. When considering how to highlight the personal and social tensions in Ruby Moon, we must consider what particular tensions play an important role and which characters the tensions are between. It may be that a character’s interactions with their surroundings are tense or that their relationships with other characters are very tense. To bring them to the stage these social and personal tensions must be identified. Cameron’s â€Å"Ruby Moon† explores the tenuous and often shallow relationships of suburbia. In writing â€Å"Ruby Moon†, although it is in essence a surreal play, Cameron attempted to draw attention to very real issues, including the nature of suburbia, and how when it comes down to it it’s difficult to know who to trust. Bad things can happen to anyone, and not everyone is as normal as they appear. Not only this, but underneath the eeriness of this play lies a very real, deeply tragic story of two parents who have lost their child and gone mad to cope with the grief of never knowing what happened to her. So much so that the reject every opportunity to find out for fear of it being bad news, in favour of keeping up the game they play with each other. The tension between them is evident when reading the play- it is clear in the stage directions when moments between them are tense. Audio effects would be highly effective in bringing these themes to life on stage. As many groups in class presentations demonstrated, Ruby Moon is a play in which the use of audio effects such as voiceovers, music, and sound effects (i. e. rain, wind, barking dogs) is a part of the stage directions, and is utilised and essential to many key moments in the play. Sound effects that play key roles in the audience’s understanding of the play include Ruby’s voice and piano refrain at the beginning, the various occasions on which the phone rings, the sound of voicemail messages being left, and Ruby’s voice throughout. This almost constant use of sound effects throughout the play gives the director a simple way of drawing attention to dramatic tension, acting as a kind of soundtrack, with, for example, the sound of a phone ringing, accentuating the silence between Ray and Sylvie by suddenly breaking it. Space can be used in a particular way to accentuate tension between characters. In class presentations, many groups expressed that they felt the set should be small and intimate. This means that actors will always be in close proximity with each other. Characters being in close proximity can accentuate many kinds of tension, for example the scene early on in the play featuring Ray and Dulcie Doily might see Ray standing on one side of the stage trying not to get too close but being physically unable to get further away and being forced into close proximity, creating tension in the sense that he does not want to be in close quarters with a woman he finds extremely unpleasant. The scene featuring Sid and Sylvie may feature Sid alternating between invading Sylvie’s personal space and shying away-Putting Sylvie on edge as it is in close proximity to her. During the scene featuring Ray and Veronica, a stage where the characters were in close proximity to each other would help create sexual tension. In terms of bringing the social tensions evident in the play onto stage, many groups in the in-class presentations of directorial visions seemed to express that a key theme in Ruby Moon was the relationships between residents of Australian suburbs. It’s a well recognised suburban stereotype- Neighbours are polite and civil towards each other however build silent judgments, while having dark secrets of their own. Costuming could play a vital role in making these social tensions apparent on stage. As Ray and Sylvie dress up, it was decided by many groups that they should don just a few key costume pieces that they feel sum up their character. Exaggerated, almost (e. g. When Sylvie dresses up as Dulcie Doily she dons a grey wig and an apron- Typical elderly woman garb- a shallow understanding of their neighbours and in fact, other people. ) The various tensions, issues and emotions being presented in Ruby Moon, both of a personal and social nature make it successful as a play because they are real things that real people have to face and that put many people on edge. Aside from the use of audio, costuming and staging to get these tensions across, it is largely up to actors to make sure the audience can pick up on the vibes of the play, leading up to moments in such a way that the audience can feel tension in the air. When staged in the right way, Ruby Moon is designed to make the audience uncomfortable and tense. There is never a calm moment throughout. There are various techniques that directors can employ to make this so and ensure the success of portraying tensions, both personal and social, on stage in a performance of Ruby Moon.

A Definition and Introduction to the Keiretsu System

A Definition and Introduction to the Keiretsu System In Japanese, the word keiretsu can be  translated to mean group or system, but its relevance in economics far surpasses this seemingly simple translation. It has also been literally translated to mean headless combine, which highlights the keiretsu systems history and relationship to previous Japanese systems like that of the zaibatsu. In Japan and now throughout the field of economics, the word  keiretsu refers to a specific type of business partnership, alliance, or extended enterprise. In other words, a keiretsu is an informal business group. A keiretsu has generally been defined in practice as a  conglomeration of businesses associated with cross-shareholdings which are  formed around their own trading companies or large banks. But  equity ownership is not a prerequisite for keiretsu formation. In fact, a keiretsu can also be a business network of comprised of manufacturers, supply chain partners, distributors, and even financiers, who are all financially independent but who work very closely together to support and ensure mutual success. Two Types of Keiretsu There are essentially two types of keiretsus, which have been  described in English as horizontal and vertical keiretsus. A horizontal keiretsu, also known as a financial keiretsu, is characterized by the cross-shareholding relationships formed between firms which are centered around a major bank. The bank will provide these companies with a variety of financial services. A vertical keiretsu, on the other hand, is known as a jump-style keiretsu or an industrial keiretsu. Vertical keiretsus tie together in partnership the suppliers, manufacturers, and distributor of an industry. Why Form a Keiretsu? A keiretsu may provide  a manufacturer the ability to form stable, long-term business partnerships which ultimately permit the manufacturer to remain lean and efficient while focusing mainly on its core business. The formation of this type of partnership is a practice that permits a large keiretsu the capability to control a majority, if not all, steps in the economic chain in their industry or business sector. Another aim of keiretsu systems is the formation of powerful corporate structure across related businesses. When member firms of a keiretsu are associated through cross-shareholdings, which is to say that they own small portions of equity in each others businesses, they remain somewhat insulated from market fluctuations, volatility, and even business takeover attempts. With the stability provided by the keiretsu system, firms can focus on efficiency, innovation, and long-term projects. History of Keiretsu System in Japan In Japan, the keiretsu system specifically refers to the framework of business relationships that arose in post-World War II Japan after the fall of the family-owned vertical monopolies that controlled much of the economy known as zaibatsu. The keiretsu system joined Japans big banks and big firms when related companies organized around a big bank (like Mitsui, Mitsubishi, and Sumitomo) and took ownership of equity in one another and in the bank. As a result, those related companies did consistent business with one another. While the keiretsu system has had the virtue of maintaining long-term business relationships and stability in suppliers and customers in Japan, there are still critics. For instance, some argue that the keiretsu system has the disadvantage of reacting slowly to outside events since the players are partly protected from the external market. More Research Resources Related to the Keiretsu System Japans keiretsu system: the case of the automobile industryThe Japanese keiretsu system: an empirical analysis

Legal Transplants in Todays Global World Essay Example | Topics and Well Written Essays - 1000 words

Legal Transplants in Todays Global World - Essay Example Amidst the debate, one thing is clear - transplanting foreign rules requires extreme caution and thorough consideration because despite the success of early European countries with it, legal transplants are not for everyone. However, with the advent of globalization and the increasing integration of national economies as a result of it, legal transplants have become not only a trend, but a rule at times. As this paper will argue, globalization, as a driving force for economic integration, has influenced the growth of legal transplants and created both formal and informal institutions that are forcing countries to hastily, if not blindly, copy foreign commercial laws with little consideration to the country's culture and historical experience, thus rendering the transplant unsuccessful. Brings laws and legal cultures into more direct, frequent, intimate, and often complicated and stressed contact. It influences what legal professionals want and need to know about foreign law, how they transfer, acquire, and process information, and how decisions are made. This influence takes effect in two ways. ... Triggered by the desire for a better investment climate in their home country and a more market-oriented home economy to aid in their business endeavors, these individuals can pressure local legal professionals to adopt better commercial and economic laws utilized in other jurisdictions. Thus, the increased flow of information brought about by a globalised world can influence those individuals who are directly affected by these laws, who in turn influence the politicians and law makers who supply them. Faced with pressures from those who demand better economic and commercial laws, lawmakers often result to legal transplants because of the simplicity and efficiency of the process of adopting these laws compared to the harrowing course that can take place in creating new ones. A second effect of globalization is the external pressures that come from other countries, international organizations, and trade associations, forcing legal transplants on countries in an effort to create a harmonized world economy. One of the consequences of globalization is the need to harmonize economic laws the world over to facilitate a more efficient global trading environment and create free markets. As a result, international organizations like the World Trade Organization (WTO) force countries, wanting to be members to adopt certain economic laws to foster the country's trading environment. Another international organization, International Monetary Fund (IMF), also forces countries wanting their assistance for loans to adopt certain policies that have been proven effective in most developed countries. In this regard, globalization has effectively created institutions that induce legal transplants, if not force them, on developing countries. Thus, a legal

Planning Windows for Climate Change Article Example | Topics and Well Written Essays - 1250 words

Planning Windows for Climate Change - Article Example There is a huge array of window types available now, and each type has its benefits and problems. There are many types of glass which conserve energy, but they can be costly and require changes in wall design. One might think that putting in fewer windows will solve the problems of climate change, but this not only make human spaces unattractive, it does not necessarily provide the best solution. Properly placed windows of the right type can actually increase the R-value of a wall, and glass walls which include solar energy design can actually provide a positive impact on energy use. There are simply many variables to consider in choosing and placing windows in buildings, so a plan for guidance will be a valuable addition to the body of knowledge. There are, essentially, three major factors we must consider when designing structures: the thermodynamics of the overall constructions, the various things which impact energy use from solar energy design to internal energy use and the availability, cost, structural needs and technical aspects of windows. By using a system of decision support for choosing window types and placement, architects can be better equipped to incorporate well-placed windows of the proper types to support the future needs in view of climate change. This research will create that tool. There are numerous studies that assumptions that the climate is changing or which actually present proof. One of the most important is Al Gore’s â€Å"An Inconvenient Truth† (2006). Gleick, Peter H., ed. 1993b. Water in Crisis.  

What an IT manager must do to create and maintain a successful project Essay

What an IT manager must do to create and maintain a successful project team - Essay Example Additionally, it is an arrangement of activities those are formulated for of planning, initiating, managing and executing resources with the objective of completing specific project or task deliverables inside allocated timeline and budget constraints (Ahn, 2012; Kerzner, 2006). In addition, a project manager is assigned to a project. A project manager is responsible for managing projects tasks. In this scenario, a skillful and qualified project manager is one who is able to foresee the entire project from initialization to completion, as well as have the ability to realize the project vision. For better project management especially in information technology sector, IT project managers are required to make administration skills and capabilities more flexible (Ahn, 2012). This report discusses the role of a project manager in creating and maintaining a successful project team. In this scenario, this report will outline some of the fundamental aspects regarding project management such as basic skills and capabilities required by an IT Project Manager for developing and controlling a successful project team. Given below are some of best practices those are fundamental for of a successful project manager: Effective communication is one of the fundamental aspects of every project management practice. Additionally, for the efficient and effective project management IT project managers need to keep in mind a number of fundamental aspects. In IT project management, project managers need to improve the communication with their team mates using latest tools and technologies. The constant communication and efficient interaction among team members make the overall project easy to handle and deal out. In this way they are able to discuss and resolve project issues and problems. Hence, the project manager is also able to assess the level of the project and possible decision needs to make the project successful (MindTools, 2012). Professionalism is also one of the

The Short and the Tall Essay Example for Free

The Short and the Tall Essay We are made aware of the patrols attitudes in Act one of The Long, The Short, and the Tall, towards the Japanese prisoner from their speech, tone of voice and actions. Johnstone, member of the patrol, shows he has a harsh attitude towards the prisoner. We can see this, as when the prisoner enters the cabin, unaware of the waiting patrol, Johnstone is the first person to grab him. He calls to the others to kill the prisoner as he holds him still. He says Get him! Quick! Do for him! Give it hump! Will you just ram it in? These are very short phrases and are said quickly and in a sharp tone of voice. He also uses allot of colloquial language and never actually says kill him. This emphasises Johnstones urgency and professionalism, but also shows that he has a hard image. Because Johnstone can say all this it proves to us that he has a harsh attitude towards the Japanese prisoner and just wants him out of the way. He says We should have done him when e first turned up. In other parts of the act Johnstones attitude stays the same. He still shows no respect for the prisoner or compassion. He still believes that the Japanese prisoner should be killed and doesnt trust him. He says You think that hed have second thoughts about putting the mockers on the lot of us? This rhetorical question shows his distrust of the prisoner. He also shows that he is jealous of the prisoner for all the attention he is now getting from the patrol. He says Two minutes ago you wouldnt touch him with a barge pole. None of you! He also said Not one of you had the guts to give me a hand. This shows he still thinks the prisoner should have been killed. It shows how he has a ruthless and barbaric attitude towards the prisoner. Also later in the play he has a fight with Bamforth over the prisoner. He is horrible to the prisoner and treats him unfairly. Mitchem has a very different attitude towards the prisoner. He has no feelings for the Prisoner but sees that he can be useful. Mitchem says I want this one alive. This makes it clear to us that Mitchem has plans. However he still shows no respect towards the Japanese prisoner. We can tell this from the way he tries to speak to the prisoner. He says Trust me to cop a raving lunatic! This refers to the prisoner and emphasises the lack of compassion and respect for the prisoner. Later in the act he shows that he had only one reason to keep the prisoner. Mitchem sees it as an everyday thing. He wants to keep the prisoner so he can be used later. He says to Bamforth Hes in your charge. Look after him. This proves he still has plans and his attitude is the same. When he realises that the patrol is in danger and is behind enemy lines he decides to ditch the prisoner. He says Were ditching him. This again proves his lack of compassion for the prisoner but also his professionalism. Bamforth has a very similar attitude towards the Japanese prisoner to Johnstone. When no one can bring themselves to kill the prisoner Bamforth steps up as if it was an everyday event and says Its only the same as carving up a pig. Hold him still. This is a simile and shows us that Bamforth also has no respect for the prisoner but it also shows us that Bamforth is learned of the gang-life in London. This is because of the colloquial language used. He also uses racist language that reflects on the time the play was set. As in the 1940s racism was not an issue. Also soldiers used racist language towards the enemy so as to feel better when killing them. He calls him an Asiatic glet. Johnstone and Mitchem also use this sort of language when they say Wog grub and Tojo. As Mitchem had put Bamforth in charge of the prisoner he began to talk to him. He said Get your hands up on your head! Like this! See! He then speaks to Evans and says Hey Taff! See that, he did it like I said! This shows that he has no respect for the prisoner and sees him as an object or pet almost. Bamforths attitudes completely turn around though. As he is looking after the prisoner he begins to get friendly with him and talks to him as a mate or one of the lads. He offers him a cigarette and looks at the prisoners photos with him. This disgusts Johnstone and when he leans in to give the prisoner a light he knocks the cigarette out of his mouth. Bamforth then stands up for his new mate and has a fight his own man, Johnstone for him! Bamforth calls the prisoner a bloke, he says to Johnstone I dont have to ask you before I give a bloke a fag! This shows he sees him as a human. He then beats Johnstone until Mitchem has to interrupt. Evans has a different attitude towards the prisoner as he shows he has compassion for other humans and cant bring himself to kill an unarmed man, at least. He steps up to do the job but then changes his mind. He says I I cant do it corp. This shows of his compassion for other human beings. It also shows how scared he was for killing someone, hence the stuttering. When he says this, his voice is scared and his whole body is tensed up! He often takes the situation light heartedly and humorously. He says to Bamforth, I always knew you were an oriental creep at heart man. This shows how Evans is a friendly and funny person. He has a compassionate attitude towards the prisoner. He actually sees the prisoner as a decent human being. We see Maclieshs attitude towards the prisoner in this section. He treats the situation with humour at first but then argues with Johnstone about what should have been done to the prisoner. For humour he says He isnt exactly what you would call a handsome bloke! This shows that he hasnt got much respect for the prisoner but he still isnt as bad as some other members of the patrol. When he is arguing with Johnstone he argues by saying You cannot order men to put a bayonet into an unarmed prisoner. He also says Havent you heard of the Geneva Connection. This shows how he is professional in his job and sticks to the rules. It also shows that he may not have the same intentions as Mitchem but still believes the prisoner should be kept. Because the prisoner has been stripped of his arms by the patrol they cannot kill the prisoner. If they were to kill him it would be illegal, murder. Because the patrol have already found out that they are behind enemy lines the prisoner is no longer of any use to them. This links to inter-relationships between the groups of characters in the play. The professional soldiers, with the higher ranks (Mitchem, Macleish and Johnstone) talk about the delicate issues while the others (privates) seem to have a bit of a laugh and mess around while not on duty. The professionals talk about the problem they have with the Japanese soldier. They decide they have to kill him! They discuss this important issue while the other members of the patrol become mates with the prisoner. Mitchem says Were ditching him! What will the prisoners new friends think about this? It is illegal to kill the prisoner as he has become a prisoner of war and has no arms, however he will be a danger and a burden to the patrol! The rest of the patrol hardly show interest in the prisoner, they are interested but forget about it after they are told to carry on with there business. They arent main characters in this part of the play.